Art is in the eye of the beholder and the passion thereof time and limitless. The same can be said about Brad Twaddle’s immeasurable energy and passion for Dancing and the Arts.
The story surrounding Florenz Baron might prove to be more interesting than her novel The Crowded Shroud. Born as Florenz Hasratoff in 1919, she spent most of her life living as a bohemian artist in conservative, blue-collar Yonkers.
Whenever I traveled to New York, I visited Sue at the Museum, making up for the time lost between us. We both marveled that we had escaped a blue collar fate. Other Yonkers girls took service jobs as health care workers or waitressing, a few taught in public schools. There wasn’t anything intrinsically wrong with these jobs, except they were so Yonkas.
My mother told me I had a way with words. She was proud of my poetry and stories, and said I was a natural born writer. I was flattered but I didn’t entirely believe her. She was a high school dropout and suffered from schizophrenia. I’m not sure if schizophrenia caused her to drop out of high school at sixteen. She often heard voices telling her to do things.
Lauren Groff’s collection of stories share only one common thread: the loud, squawking desperation of working-class lives that inevitably come to an end in a one-two knockout punch. I’m glad to see a writer of considerable merit depicting working-class characters that no one really wants to know about. People are dying, rotting away, flicking cigarette ashes on the food they are about to eat, before blowing out their brains with a shotgun.
There are many other cultural gems to be discovered in Arkansas, and a good argument can be made that one of the most dazzling that can be seen right now is at the Historic Arkansas Museum in downtown Little Rock. That’s where a posthumous exhibit of the artworks of Little Rock native son Dwight “Kuimeaux” Drennan is on display.